Taylor starts off with a lonely, melancholy trumpet theme, reminiscent of Jerry Goldsmith's Chinatown theme. This theme is to make key appearances throughout this largely low-key, melodic orchestral score, which has some lovely, delicate, sensitive piano, guitar, violin and flute work, but can also be propulsive when it has to be, as in the strings and harp-driven "Arriving at the House" and the optimistic piano of "Dinner Montage." Strings burst forth gloriously in the penultimate track "The Truth," before the "End Credits" reprise the busy guitar of "Remembering Barbie, concluding with a final statement of the trumpet theme.
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